the cutting room floor

As I’ve discussed before, history isn’t tidy. I made some strategic cuts to the story at the outset, mostly for my sanity. Now I’m cutting even more as they don’t add to the story I’m trying to tell, which is a damn shame as Dee and Kelley generated So. Much. Weird. that begs exploration. Just not by me:

Dee and Kelley’s possible ties to Shakespeare – interesting if true, but not relevant to my story

Nuances of alchemical process and symbolism – you’ll get your furnaces and flasks but not painstaking detail because I’m not a chemist.

Dee and Kelley’s sojourn in Poland courting the patronage of Stephen Bathory (yes, cousin of that Bathory). It’s not the story I’m telling and someone already has anyway.*

A series of incidents in which Kelley apparently conjures demons and poltergeists outside of his actions with Dee – and this breaks my heart because I so, so want to play with what was going on here! I found this delicious story in the footnotes of part 9 of I.R.F. Calder’s thesis but it’s so divided from the rest of the spiritual actions that I can’t justify including it.**

The possibility that Jane Dee was from a recusant family. I could only find one reference (since removed), and there’s more narrative tension if Jane is solidly Protestant in Catholic Bohemia.

And there’s probably more. What are you cutting, and why?

animated gif of little girl and men in suits sawing/drilling away on a piano
Hacking away. Courtesy gfycat.

*Looking forward to reading this after I finish the WIP.
**Actually, I might do a short story based on this.

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Allison Thurman

Allison Thurman has always made stuff: out of fabric, metal, beads, even exaggerated fencing moves. Of late she makes stories out of weird history, with fragments of pop culture, unsolved mysteries, and science fiction mixed in for texture.

She lives in a galaxy far, far away (well, the DC metro area) with too many books and swords.

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