old, new, fancy, and plain: Bucharest

Bucharest is not on the Danube, but it’s where everyone flies in for this particular cruise. Given that the cruise company manages your experience from day one they did provide a 4 hour coach bus tour of the city with an excellent local guide. What follows are my jet-lagged memories bolstered by notes I scribbled that night and furious Googling. All photos my own except where noted:

Bucharest is often called “Little Paris” due to the influential French architecture built during the 19th and 20th centuries. The level of restoration is mixed: restored/maintained buildings are often right next to dilapidated husks. While stateside this disrepair might suggest incomplete gentrification (or decline) in Bucharest it’s a just part of the landscape, not isolated to any one part of the city as far as I could tell.

older building with scarred brickwork, blown out windows, rusted gate on balcony
Not an unusual sight. Old Town, Bucharest

It’s also normal to find these ornate banks and hotels across the street from stark communist-era cement apartment blocks or modern glass skyscrapers. The juxtaposition is odd to bleary American eyes but I imagine quite normal in any city as old as Bucharest.

ornate baroque building with arched doorway and round towers in front of modern glass skyscraper
Also not an unusual sight: the CEC Palace (CEC Bank) with glass skyscraper in background

Some of the most modern-looking architecture is at Revolution Square, renamed after the 1989 revolution.

photo of blackened stone sculpture of a man on horseback
Not the most modern art-looking piece in Revolution Square, but this statue of the first Romanian King, Carol I, is a powerful Romanian symbol. It’s a 2015 re-creation of a statue torn down by the Communists in 1947.

Sad to say I don’t know as much as I’d like about the history of the fall of communism. I’m old enough to remember coverage on television but didn’t have the context to grasp the broader picture. From what I could learn from our guide, the Romanian revolution was the bloodiest of all the revolutions of 1989, and almost 30 years afterwards the Ceaușescu regime appears to be viewed with a mix of disdain, embarrassment, and dark humor.

Indeed, Ceaușescu is hard to escape if only because the Palace of Parliament he started before his execution (but did not complete) casts such a (literally) huge shadow. Built with forced labor and displacing almost 50,000 Bucharest residents, it has over a thousand(!) rooms, all in a bombastic “totalitarian kitsch” style with towers of marble, velvet rugs and curtains, and gilded everything else. It’s oversized, overdone, and overwhelming, but despite this and its association with Ceaușescu I get why it’s still in use. It’s got every conference and performance amenity a city twice Bucharest’s size could ever need.

long, high arched gallery lit by multiple chandeliers, with large marble pillars and gilt molding on the ceiling
Authoritarian glam all the way back: one of the long (long) galleries in the Palace of the Parliament.

And speaking of long shadows, you can’t talk about Bucharest without mentioning Vlad the Impaler.

Of all the places associated with the inspiration for Dracula, the Old Princely Court is the only site with a documented association as Vlad III built the current structure in the 15th century. The local tourist shops capitalize on the English-speaking world’s fascination with Vlad: you can get Dracula/Bela Lugosi/Vlad the Impaler dressed as Bela Lugosi on just about anything. Which are the only Draculas you’ll see as the Old Court itself is currently closed for renovation and fenced off.

old brick open court with wooden supports and ladders lying about, a white stone pillar in the center upon which is the black stone bust of a man with long hair and ferocious mustache
I managed to get this photo of Vlad’s bust through a small gap in the fencing. How fitting to be posting it on Halloween!

I liked Bucharest, what little I saw of it. I’d like to see more, especially of the historical Old Town. The gaps in my historical knowledge about communism and its aftermath are shameful, so I plan to read up. Any book recommendations are welcome!

After Bucharest the coach departed for the dock in Giurgiu where the boat waited for us on the Romanian side of the Danube. Right across the river is the Bulgarian city of Rousse (Ruse), our next port of call.

biweekly links 3-22-2017

Hazy Cosmic Jive: Bowie and the Starmen, Part One, Part Two, Part Three: Intriguing series about the influences of UFOs and Captain Marvel on the creation of Ziggy Stardust and other Bowie personas. I knew Bowie was into UFOs, but didn’t know about the comic book angle. Huh. Well timed as I found this just after finishing Simon Reynolds’ Shock and Awe: Glam Rock and its Legacy.

David Bowie made up like an alien with bald head and yellow cat eyes
David Bowie in “The Man Who Fell To Earth”, courtesy Zimbio. I maintain: Bowie didn’t die, he just went back to his home planet of svelte androgynous people.

Henry VIII’s ‘small country’ Tudor palace for sale: so if you’ve got £3 million lying around you’ll want to jump right on that. Seriously though, some nice interior/exterior photos at the link if Tudor architecture is your thing.

The Tudor guide to colonising the world: in case “Bluff King Hal”‘s old digs aren’t big enough for you, read about Richard Hakluyt’s sixteenth century travel guides of the New World. Mind, he never actually left Europe, so take with a grain of salt.

The Game Developers Who Are Also Witches: not a gamer myself but games are a powerful storytelling medium and it sounds like these games to celebrate and empower traditionally maligned populations.

you’ll never walk alone (even when you need to): servants in Elizabethan households

I don’t think I’d have lasted 24 hours in the Dee household without tearing my hair out.

Paging through his personal and spiritual diaries I catch glimpses of people who, while colorful, I’d never want to meet: Dee’s cranky alchemical apprentice; two maids who accidentally set fire to their room twice in one year; the manservant he fired for getting drunk and cursing out the rest of the staff. That’s just a sampling and while there’s no full list it seems Dee had at least nine servants and probably more during my 1583-9 time frame.

The Dees weren’t unusual. Almost everyone of middling rank or higher had live-in staff. If you didn’t have servants you’d likely be one because up to a quarter of the population was in service. And even if everyone was nice as pie there was never, ever a break from their company. Servants worked in all parts of the house and some slept on their masters’ bedchamber floors (dedicated servants’ dormitories were rare). Houses were often designed with linked rooms so even if your maid or man had a private bedchamber they probably passed through yours to get there. Decorative elements like wooden screens and bed curtains compensated for this lack of privacy, but only just.

Great Bed of Ware
The Great Bed of Ware from the V&A website. A representative Elizabethan bedstead in all but size.

More on the Great Bed of Ware with photos and videos of assembly.

In short it was damn near impossible to be truly alone*, a fact that makes my inner introvert blanch while my writer’s mind reels at the potential mayhem.

Pro: lovely opportunities to endanger my characters! Dee and Kelley were into so many questionable things that any sudden walk-ins could easily create panic and rumors of Dee’s “conjuring” that Jane would struggle to explain away. Hours of amusement!

Con: a massive narrative hurdle. I’ve got to get the servants out of the house for their infamous “crossmatching” incident, which the Dees and Kelleys swore to keep secret on pain of death. Dee’s spiritual diary offers no details beyond a terse “pactu factu” (pact fulfilled) so I have free rein, but how do I empty the house believably? Send everyone to a market fair (if there was one)? Hide in an unused wing (ditto)? Bribe everybody (though they’re poor)?

I’m almost done with the first draft (!) and am still unraveling this snarly plot knot.

*Even more so if you take children and visitors into account.

Selected Sources:

Cooper, Nicholas. Houses of the Gentry 1480-1680. New Haven and London: Yale University Press, 1999.

Dee, John (author), Stephen Skinner (editor), and Meric Casaubon (Preface). Dr John Dee’s Spiritual Diaries (1583-1608): Being a reset and corrected edition of a True & Faithful Relation of what Passed for many Yeers between Dr John Dee…and Some Spirits.
 Woodbury MN: Llewellyn Publications, 2012.

Orlin, Lena Cowen. Elizabethan Households: An Anthology. Washington DC: Folger Shakespeare Library, 1996.